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The Last King of Scotland

The Last King of Scotland just hit pay-per-view.  I recommend it.

The movie is a searing portrait of tyranny, madness and futility.  I expected to watch a few minutes and then annoy my wife by finding something better to do, like giving the cat a bath.  Instead I was mesmerized.    Forest Whitaker is brilliant.  The other main actor is adequate, while the supporting cast, from Amin's Minister of Health to his wife to a stoic native physician, perform a flawless humanscape.  And that is the heart of the film's gravity.  Amin is the movie.  This is tyranny:  how it looks, how it must feel.  One's heart leaps at Amin's volatile outbursts, of violence and of tenderness.  James McAvoy's less than perfect portrayal is incidental.  The director's intent- at least his accomplishment- is to put his audience in McAvoy's place.     

Despite a subplot involving Great Britain's role in propping up Amin, the movie transcends conspiracy.  By focusing on Amin and McAvoy's character, it succeeds admirably.
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